COLOR MANAGEMENT WORKFLOW TUTORIAL - IN ADOBEAFTER EFFECTS CS3 - TUTORIAL GUIDE HELP FREE

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CONTENTS COLOR MANAGEMENT WORKFLOW TUTORIAL - IN ADOBEAFTER EFFECTS CS3 1 Getting started What is color management? Why use color management in your After Effects projects? View accurate color and tone when using linear light (gamma 1.0) for compositing Repurpose material for different output conditions Work on projects using different computers Manage footage from multiple sources View color consistently in other applications Simulate different output conditions without altering color values in your project What’s new? After Effects 7 Support for a working color space for the project Support for simulation of a limited number of output options After Effects CS3 Support for color profile selection in the Interpret Footage dialog box Support for linear light (gamma 1.0) encoding Support for color profile selection in output modules New ICC profiles for commonly used camera negative film stocks and digital Support for output simulation for a wider variety of camera negative and theater print film stocks Support for output simulation of commonly used video encodings Tips for accurate color viewing Calibrate and profile your computer monitor Work in a consistent environment Remove strongly colored objects in your field of vision 4 High-definition video workflow Workflow overview Setting up the After Effects project Importing footage, including still images (Optional) Editing images in Photoshop CS3 Optional) Simulating output for more accurate viewing Outputting files color management workflow adobe after effects cs3 after effects 7 Step 1: Set up the After Effects project Choose 16 Bits Per Channel from the Depth menu Choose the HDTV (Rec. 709) ICC profile from the Working Space menu. Step 2: Import footage, including graphics For QuickTime DV files For 8-bpc and 16-bpc raster files Step 3: (Optional) Edit imported footage or graphics in Photoshop For 8-bpc or 16-bpc files For HDR 32-bpc files Step 4: (Optional) Simulate HD and non-HD output Step 5: Output files 10 Digital cinema workflow Workflow overview Setting up the After Effects CS3 project Importing footage and graphics Simulating output for theater projection (Optional) Editing images in Photoshop CS3 Outputting files Using the Color Profile Converter effect Step 1: Set up the After Effects project Choose 32 Bits Per Channel (float) from the Depth menu Choose ProPhoto RGB from the Working Space menu Select Linearize Working Space Step 2: Import footage, including graphics For Cineon files For non-Cineon raster and vector files Step 3: Simulate output for theater projection Step 4: (Optional) Edit imported footage and graphics in Photoshop Step 5: Output files For HD video dailies For DCDM (Digital Cinema Distribution Master) format output Step 6: Use the Color Profile Converter effect for color transforms For HD video dailies and digital cinema projection 17 Animation/Flash export workflow Workflow overview This workflow takes you through the following steps: Setting up the After Effects project. Importing footage, including still graphics. (Optional) Editing graphics in Photoshop CS3. (Optional) Simulating output for more accurate viewing. Outputting files Step 1: Set up the After Effects Project Choose 16 Bits Per Channel from the Depth menu Choose the sRGB IEC61966-2.1 ICC profile from the Working Space menu Step 2: Import footage, including graphics Step 3: (Optional) Edit imported images in Photoshop Step 4: (Optional) Simulate final output Windows RGB Monitor color Step 5: Output files To export SWF To output to FLV 21 Appendix A: Color spaces and color management Device dependence Device independence — specifying color accurately Showing accurate color on devices Project working space Choosing a project working space Color space size For 8-bpc and 16-bpc projects For 32-bpc projects Neutral-balanced color spaces 25 Appendix B: Adobe-supplied ICC Profiles About color profiles Monitor profiles Input device profiles Output device profiles Project working space profiles Scene & presentation environment profiles Limited-range video profiles (HDHDTV (Rec. 709) 16-235, SDTV NTSC 16-235, and SDTV PAL 16-235) Expand luma levels on import Maintain luma levels in project at 16-235 Compress luma levels on output 31 Appendix C: Glossary 34 Appendix D: Additional resources