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ADOBE AFTER EFFECTS CS3 TUTORIAL - COLOR MANAGEMENT WORKFLOW - TUTORIAL GUIDE HELP FREE
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CONTENTS ADOBE AFTER EFFECTS CS3 TUTORIAL - COLOR MANAGEMENT WORKFLOW
Getting started
What is color management?
Why use color management in your After Effects projects?
View accurate color and tone when using linear light (gamma 1.0) for compositing
Repurpose material for different output conditions
Work on projects using different computers
Manage footage from multiple sources
View color consistently in other applications
Simulate different output conditions without altering color values in your project
What’s new?
After Effects 7
Support for a working color space for the project
Support for simulation of a limited number of output options
After Effects CS3
Support for color profile selection in the Interpret Footage dialog box
Support for linear light (gamma 1.0) encoding
Support for color profile selection in output modules
New ICC profiles for commonly used camera negative film stocks and digital motion picture cameras
Support for output simulation for a wider variety of camera negative and theater print film stocks
Support for output simulation of commonly used video encodings
Tips for accurate color viewing
Calibrate and profile your computer monitor
Work in a consistent environment
Remove strongly colored objects in your field of vision
High-definition video workflow
Interpret Footage
Quicktime movies (MOV)(HDTV (Rec. 709), SDTV NTSC, SDTV PAL)
Interpret Footage vector graphics (PDF)(ICC profile embedded in image)
Interpret Footage raster image (TIFF, DNG)(ICC profile embedded in image)
Computer monitor(your monitor profile)
AdjustmentHD reference monitor
Project working space(HDTV (Rec. 709) - (linear))
Output High-definition TV(HDTV (Rec. 709))
Output DVD or digital video tape (HDTV (Rec. 709))
Color Management Workflow Tutorial
Good Adobe After Effects CS3 tutorials pdf
Software user guide
Manuals free
Help me business process
Bible color pinter
Table of Contents
Workflow overview
Setting up the After Effects project
Importing footage, including still images
(Optional) Editing images in Photoshop CS3
(Optional) Simulating output for more accurate viewing
Outputting files
Linear light compositing
Set up the After Effects project
Linear blending in Photoshop
Import footage, including graphics
Edit imported footage or graphics in Photoshop
Usising hdtv (RecRecRec. 709) in photoshop
Non-1.0 gamma 32-bpc fileses in photoshop
Simulate HDHD and non-HDHD output
Output files
Digital cinema workflow
Setting up the After Effects CS3 project
Importing footage and graphics
Simulating output for theater projection
(Optional) Editing images in Photoshop CS3
Outputting files
Using the Color Profile Converter effect
Set up the After Effects project
Import footage, including graphics
Simulate output for theater projection
ICC profileses susupplieied by adobe
Edit imported footage and graphics in Photoshop
Choose ProPhoto RGB from the Device To Simulate menu
Deselect Preserve RGB Numbers
Choose Absolute Colorimetric from the Rendering Intent menu
Non-1.0 gamma encoded 32-bpc files
Output files
Use the Color Profile Converter effect for color transforms
Animation/Flash export workflow
Setting up the After Effects project
Importing footage, including still graphics
(Optional) Editing graphics in Photoshop CS3
(Optional) Simulating output for more accurate viewing
Outputting files
Set up the After Effects Project
Linear blending in photoshop
Import footage, including graphics
Edit imported images in Photoshop
Photoshop color settings
Simulate final output
Output files
To export SWF
To output to FLVFLVFLV
Appendix A: Color spaces and color management
Device dependence
Device independence — specifying color accurately
Device-independent color using the CIE XYZ color space
Characteristics of light
Characteristics of surface or filter
Characteristics of viewer
Showing accurate color on devices
Project working space
Choosing a project working space
Color space size
For 8-bpc and 16-bpc projects
For 32-bpc projects
Neutral-balanced color spaces
Appendix B: Adobe-supplied ICC Profiles
About color profiles
Scene & presentation environment profiles
Limited-range video profiles (HDHDTV (Rec. 709) 16-235, SDTV NTSC 16-235, and SDTV PAL 16-235)
Expand luma levels on import
Maintain luma levels in project at 16-235
Compress luma levels on output
Appendix C: Glossary
Appendix D: Additional resources
After Effects CS3 Help
Forums
Adobe User to User Forums
Apple’s Colorsync mail list
ICC Users mail list
Web Sites
International Color Consortium
Digital Cinema Initiative
Charles Poynton website
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