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ADOBE AFTER EFFECTS CS3 TUTORIAL - COLOR MANAGEMENT WORKFLOW - TUTORIAL GUIDE HELP FREE
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CONTENTS ADOBE AFTER EFFECTS CS3 TUTORIAL - COLOR MANAGEMENT WORKFLOW
Getting started What is color management? Why use color management in your After Effects projects? View accurate color and tone when using linear light (gamma 1.0) for compositing Repurpose material for different output conditions Work on projects using different computers Manage footage from multiple sources View color consistently in other applications Simulate different output conditions without altering color values in your project What’s new? After Effects 7 Support for a working color space for the project Support for simulation of a limited number of output options After Effects CS3 Support for color profile selection in the Interpret Footage dialog box Support for linear light (gamma 1.0) encoding Support for color profile selection in output modules New ICC profiles for commonly used camera negative film stocks and digital motion picture cameras Support for output simulation for a wider variety of camera negative and theater print film stocks Support for output simulation of commonly used video encodings Tips for accurate color viewing Calibrate and profile your computer monitor Work in a consistent environment Remove strongly colored objects in your field of vision High-definition video workflow Interpret Footage Quicktime movies (MOV)(HDTV (Rec. 709), SDTV NTSC, SDTV PAL) Interpret Footage vector graphics (PDF)(ICC profile embedded in image) Interpret Footage raster image (TIFF, DNG)(ICC profile embedded in image) Computer monitor(your monitor profile) AdjustmentHD reference monitor Project working space(HDTV (Rec. 709) - (linear)) Output High-definition TV(HDTV (Rec. 709)) Output DVD or digital video tape (HDTV (Rec. 709)) Color Management Workflow Tutorial Good Adobe After Effects CS3 tutorials pdf Software user guide Manuals free Help me business process Bible color pinter Table of Contents Workflow overview Setting up the After Effects project Importing footage, including still images (Optional) Editing images in Photoshop CS3 (Optional) Simulating output for more accurate viewing Outputting files Linear light compositing Set up the After Effects project Linear blending in Photoshop Import footage, including graphics Edit imported footage or graphics in Photoshop Usising hdtv (RecRecRec. 709) in photoshop Non-1.0 gamma 32-bpc fileses in photoshop Simulate HDHD and non-HDHD output Output files Digital cinema workflow Setting up the After Effects CS3 project Importing footage and graphics Simulating output for theater projection (Optional) Editing images in Photoshop CS3 Outputting files Using the Color Profile Converter effect Set up the After Effects project Import footage, including graphics Simulate output for theater projection ICC profileses susupplieied by adobe Edit imported footage and graphics in Photoshop Choose ProPhoto RGB from the Device To Simulate menu Deselect Preserve RGB Numbers Choose Absolute Colorimetric from the Rendering Intent menu Non-1.0 gamma encoded 32-bpc files Output files Use the Color Profile Converter effect for color transforms Animation/Flash export workflow Setting up the After Effects project Importing footage, including still graphics (Optional) Editing graphics in Photoshop CS3 (Optional) Simulating output for more accurate viewing Outputting files Set up the After Effects Project Linear blending in photoshop Import footage, including graphics Edit imported images in Photoshop Photoshop color settings Simulate final output Output files To export SWF To output to FLVFLVFLV Appendix A: Color spaces and color management Device dependence Device independence — specifying color accurately Device-independent color using the CIE XYZ color space Characteristics of light Characteristics of surface or filter Characteristics of viewer Showing accurate color on devices Project working space Choosing a project working space Color space size For 8-bpc and 16-bpc projects For 32-bpc projects Neutral-balanced color spaces Appendix B: Adobe-supplied ICC Profiles About color profiles Scene & presentation environment profiles Limited-range video profiles (HDHDTV (Rec. 709) 16-235, SDTV NTSC 16-235, and SDTV PAL 16-235) Expand luma levels on import Maintain luma levels in project at 16-235 Compress luma levels on output Appendix C: Glossary Appendix D: Additional resources After Effects CS3 Help Forums Adobe User to User Forums Apple’s Colorsync mail list ICC Users mail list Web Sites International Color Consortium Digital Cinema Initiative Charles Poynton website
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